![a quiet storm rotten tomatoes a quiet storm rotten tomatoes](https://www.listchallenges.com/f/lists/d6534aed-9172-4162-9cc7-46594a2244a9.jpg)
With arresting cinematography, an epic, very cinematic third act and a terrific, deceptively happy beginning that fools you into thinking that this is going to be a joyous movie, The Mortal Storm quickly pulls the rug beneath you and becomes a frustrating, difficult and eventually heartbreaking story of the atrocious movement that was happening in Germany just as this film was being filmed, and thus it becomes a very powerful, tragic time capsule.
![a quiet storm rotten tomatoes a quiet storm rotten tomatoes](https://resizing.flixster.com/0kZBZlI6AQ88mEPG5ZTdscOwVEM=/300x300/v2/https://flxt.tmsimg.com/assets/p16783016_k_h9_aa.jpg)
Shocking in 1940 for its willingness to depict ugliness in ideologies that some thought acceptable, and sadly relevant today for the same reason. Performances are solid, but none are really standouts, though Sullavan in her primary focus (and as the result of multiple tragedies) feels empathetic. There are depictions or implications of social control, book burnings, the removal of "offensive material" (regardless of its factuality), ethnic purity, the focus on a political 'other' as the root cause of all problems, and many other trends that have reemerged among far-right movements in the United States and abroad, only sharpening viewings of this film today. West's screenplay (ably adapted from Bottome's novel), focuses on the disintegration of a family based around the tenants of a rabid political mania, as young men eager to 'restore Germany to glory' quickly adopt party dogma as their own, enforcing unquestioning obedience, anti-intellectualism, and racial discrimination ("non-Aryan" is namedropped a few times, though it's not an overt focus) even to the extent of imparting mortal consequences upon those they once loved.
![a quiet storm rotten tomatoes a quiet storm rotten tomatoes](https://resizing.flixster.com/kHvi6cdV06176eR94fZd1cTnaCc=/300x300/v2/https://flxt.tmsimg.com/assets/p22053_v_v8_aa.jpg)
But the film compensates in its political stance, as an unabashedly anti-Nazi film released well before the United States became firmly involved in World War II, when the US was still ambiguous in its geopolitical leaning and, just a year before, the German American Bund had hung swastikas alongside portraits of George Washington before an audience of 20,000 at Madison Square Garden, promoting their fascism as "pro-Americanism". There are plenty of times where The Mortal Storm shows its age - in technical proficiency (some skiing scenes were very much not on location) and in filmmaking conventions, for instance (among this supposedly all-German character sheet, there are a confusing mix of accents, from heavily Teutonic to good ol' American Boy Scout).